I am outside. I am standing in my backyard. It is twilight. Something in me has always appreciated the end of things more than the beginnings of them. Years, days, meals, friendships, worlds—whatever.
I walked out of the door and into my backyard with all the intention of a plastic bag caught on a mild updraft. Call it what you will: whimsy, ennui… it’s all the same to me. All just words. And though words have made up the better part of my life I realise how fundamentally flawed language is; how helpless it is to describe certain things.
There I am, in the cool twilight of a spring day. My fingers are cold, my eyes focus on nothing. I make my way toward the front yard. Standing at the end of my driveway I can see the Cariboo Mountains in the distance as they reflect the sun’s final rays back at me.
This is the way the world ends.
What I remember about my youth is the abandon of it. The reckless way I loved: like joy was immutable. The way I despaired at the absolute nature of my angst. The way I moved through life as though I occupied some unassailable position loftier than anyone before me. Specifically, the time I’m speaking about here is when I was old enough to be passionate about everything but too young to know better.
Everything was different then. I could be so bad at sex and believe myself to be the best. I could be so arrogant about my talents without ever having worked to develop them. Words like “gifted” were thrown around a lot back then.
The thing about getting older is that you don’t notice how things change until you get a second to stand back and look at the whole picture. If you keep your eyes downcast, keep your legs pumping and ignore what’s going on around you, you can cover a hell of a lot of ground and be so far from where you started that you don’t recognize a goddamned thing anymore.
The way I look back is to read what I’ve written. When I look back and read a story I wrote, say, three years ago; I can remember everything about that time. If it’s a short story—maybe something in the three-thousand word range—I can think about the two or three days it took me to write it. I can remember the waitress who spilled my drink at the Elephant’s Nest. I can remember falling in love with the blonde girl at work with the smile that could turn the world on its ear. I could remember having my heart broken two days later when the same girl chose to sit on the opposite side of the lunchroom despite ample room at my table. I remember being late for work one morning because I decided to smoke an extra cigarette before going in. I can remember going to the bar on lunch and downing as many beers as I could in the half hour provided. I can remember going out that night and drinking so much I had to wander up and down King Street for an hour before I could manage to drive home.
And I get this from reading stories.
Because the truth about stories is that they’re all we are.
What I know about my present is that it’s all there is. A thread. An ongoing narrative that weaves its way through the decaying banner of humankind’s time here on earth. Tattered and hanging limp from the flagstaff. Just another story that no one would ever want to read. Let alone live.
And what I know about being the age I am now—what I’ll remember about it when I read the stories I write now—is that for all the wisdom I’ve accumulated I should still know better. I should be a much better person. I should fight harder and scream louder and walk slower.
I accept admonition: I know my position is assailable. Looking back I know I was lousy in bed. I also know that nothing could matter less. Looking back now I know I was arrogant and that it all stood for nothing because I fell for everything.
Fuck perfection: at this point I’d make due with passable.
Because I know that some day what comes out of the east won’t be the rising sun. And I—and we all have so little time left. And soon the stories we tell won’t matter anymore. And the narrative will get cut short.
This is the way the shit hits the fan.
And don’t you ever say—don’t you dare say, “But I didn’t know.” Because you did know. I told you so.
Here and now, in this twilight, it’s something you have to see. The way the headlights of the cars coming up the hill on Hammond Street paint the side of the house with light. The way the dark settles over the hills and the day comes down to a few points of light in the eastern sky. The shudder down your spine as the last trace of purple fades from the west.
This is the way the world ends.
And you sigh at the muted colours all around you. And you know that there’s not much time left. And words like “irreversible” suddenly mean something. And words like “forever” and “eternal” mean less than the dogshit you just stepped in. And you pray for a dawn that erases everything you’re feeling. But between climate change, holy war and a generation so caught up in itself it can’t see; you know hope is something we should have fought for earlier.
And this is the way the world ends. This is how her last breath sounds.
And part of you wants to go inside. Gather your loved ones and hold them close. Get a fire going and exhaust it to ash while there’s still time to enjoy it. But the anxiety has frozen you right there. In the front yard. In the dark. At the end of the day. With the missing dawn at the end of the next revolution.
Get down on your knees. See if it’ll help. What have you got to lose?
And write it down. If there’s anyone left to remember it, they’ll want it written down.
Because the truth about stories is that they’re all we are.
This is the way the world ends:
Ten billion hungry souls scraping for purchase against the dearth imposed by the passing of the glut. Ten billion ugly souls crying out for what isn’t left. Ten billion soulless monsters choking on the toxins they once dismissed as merely unfortunate side effects of their comfort. Ten billion angry apes, crawling back into the primordial ooze. Ten billion brainless human beings with nothing. Because they forgot to plan for tomorrow.
This is the way the world ends.
This is the way the world ends.
This is the way the world ends.
Not with a bang, nor with a whimper.
But with a lazy shrug of ancient shoulders; rounding out an arrogant, overfed frame.
Shame on us.
Shame on us for every goddamn thing.
All due credit to T. S. Elliot and Thomas King.
I walked out of the door and into my backyard with all the intention of a plastic bag caught on a mild updraft. Call it what you will: whimsy, ennui… it’s all the same to me. All just words. And though words have made up the better part of my life I realise how fundamentally flawed language is; how helpless it is to describe certain things.
There I am, in the cool twilight of a spring day. My fingers are cold, my eyes focus on nothing. I make my way toward the front yard. Standing at the end of my driveway I can see the Cariboo Mountains in the distance as they reflect the sun’s final rays back at me.
This is the way the world ends.
What I remember about my youth is the abandon of it. The reckless way I loved: like joy was immutable. The way I despaired at the absolute nature of my angst. The way I moved through life as though I occupied some unassailable position loftier than anyone before me. Specifically, the time I’m speaking about here is when I was old enough to be passionate about everything but too young to know better.
Everything was different then. I could be so bad at sex and believe myself to be the best. I could be so arrogant about my talents without ever having worked to develop them. Words like “gifted” were thrown around a lot back then.
The thing about getting older is that you don’t notice how things change until you get a second to stand back and look at the whole picture. If you keep your eyes downcast, keep your legs pumping and ignore what’s going on around you, you can cover a hell of a lot of ground and be so far from where you started that you don’t recognize a goddamned thing anymore.
The way I look back is to read what I’ve written. When I look back and read a story I wrote, say, three years ago; I can remember everything about that time. If it’s a short story—maybe something in the three-thousand word range—I can think about the two or three days it took me to write it. I can remember the waitress who spilled my drink at the Elephant’s Nest. I can remember falling in love with the blonde girl at work with the smile that could turn the world on its ear. I could remember having my heart broken two days later when the same girl chose to sit on the opposite side of the lunchroom despite ample room at my table. I remember being late for work one morning because I decided to smoke an extra cigarette before going in. I can remember going to the bar on lunch and downing as many beers as I could in the half hour provided. I can remember going out that night and drinking so much I had to wander up and down King Street for an hour before I could manage to drive home.
And I get this from reading stories.
Because the truth about stories is that they’re all we are.
What I know about my present is that it’s all there is. A thread. An ongoing narrative that weaves its way through the decaying banner of humankind’s time here on earth. Tattered and hanging limp from the flagstaff. Just another story that no one would ever want to read. Let alone live.
And what I know about being the age I am now—what I’ll remember about it when I read the stories I write now—is that for all the wisdom I’ve accumulated I should still know better. I should be a much better person. I should fight harder and scream louder and walk slower.
I accept admonition: I know my position is assailable. Looking back I know I was lousy in bed. I also know that nothing could matter less. Looking back now I know I was arrogant and that it all stood for nothing because I fell for everything.
Fuck perfection: at this point I’d make due with passable.
Because I know that some day what comes out of the east won’t be the rising sun. And I—and we all have so little time left. And soon the stories we tell won’t matter anymore. And the narrative will get cut short.
This is the way the shit hits the fan.
And don’t you ever say—don’t you dare say, “But I didn’t know.” Because you did know. I told you so.
Here and now, in this twilight, it’s something you have to see. The way the headlights of the cars coming up the hill on Hammond Street paint the side of the house with light. The way the dark settles over the hills and the day comes down to a few points of light in the eastern sky. The shudder down your spine as the last trace of purple fades from the west.
This is the way the world ends.
And you sigh at the muted colours all around you. And you know that there’s not much time left. And words like “irreversible” suddenly mean something. And words like “forever” and “eternal” mean less than the dogshit you just stepped in. And you pray for a dawn that erases everything you’re feeling. But between climate change, holy war and a generation so caught up in itself it can’t see; you know hope is something we should have fought for earlier.
And this is the way the world ends. This is how her last breath sounds.
And part of you wants to go inside. Gather your loved ones and hold them close. Get a fire going and exhaust it to ash while there’s still time to enjoy it. But the anxiety has frozen you right there. In the front yard. In the dark. At the end of the day. With the missing dawn at the end of the next revolution.
Get down on your knees. See if it’ll help. What have you got to lose?
And write it down. If there’s anyone left to remember it, they’ll want it written down.
Because the truth about stories is that they’re all we are.
This is the way the world ends:
Ten billion hungry souls scraping for purchase against the dearth imposed by the passing of the glut. Ten billion ugly souls crying out for what isn’t left. Ten billion soulless monsters choking on the toxins they once dismissed as merely unfortunate side effects of their comfort. Ten billion angry apes, crawling back into the primordial ooze. Ten billion brainless human beings with nothing. Because they forgot to plan for tomorrow.
This is the way the world ends.
This is the way the world ends.
This is the way the world ends.
Not with a bang, nor with a whimper.
But with a lazy shrug of ancient shoulders; rounding out an arrogant, overfed frame.
Shame on us.
Shame on us for every goddamn thing.
All due credit to T. S. Elliot and Thomas King.